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Monthly Archives: March 2008

POEMS: A COLLECTION

 


 

Poem1:

 

STANDING BEFORE THESE BAMBOO CULMS

 

i feel a dwarfness

i know is due

to a comparison of heights

and strengths

between our bodies

and perhaps, our hearts

(but where yours are, i do not know,

for aren’t your bodies hollow?)

and yet, i see you

standing before me,

bodies of yellow poles

propped in this world

of concrete and steel –

bodies firm and resolute,

to carry the weights of men

and their devices

for a giant paint job

of a young building.

and i wonder

if your hearts are here

inside your poles, only quiet

and stoic,

or is it back

in the soft grounds

where they uprooted you,

singing songs lost to the winds.

 

 

Poem2:

 

BARBIE LIES DOWN IN THE BED ALONE, NAKED

 

She’s got her party

dress hurled on the floor

red and ruffly and

all, black nylon stockings and

newly bought pumps

tossed in some parts of the

room like

pollens or berry dust.

Now she thinks of her mother, who

had TRAVEL AROUND THE

WORLD WITH BARBIE

stamped on her head

too, only she had long gone

out

body twisted.

Barbie thinks if

daughters truly become just like

their own mothers. They

get beat up just

like that, their lips bitten

by angry teeth, their faces

throb after willful

hands, the same

hands that cupped

their breasts, draw circles

around their hard

nipples,

the same hands that would

plunge under the

blonde hair in great

pleasure.

There are curses

for him in every

tick

of the clock,

but still

in the end

she’ll fall

on another

of his pleas —

again

and

again

just like her mother.

 

 

Poem3:

 

HOW DO YOU SAY SORRY TO YOUR BLUE-BEARDED LOVER

 

a wet tongue to paint great landscapes

        on the whorls of his ear

a slight brush of the hair

        on the naked nape

                that slowly bows with veiled surrender

a sweet violent push to the minty fields

        of warm warm grasses ready

                to hug you both under a lovestruck sky.

Hold his hand like how he used to

hold yours

        tighter than any man

        you ever knew or made

        love with in the dark

let him sleep soundly against

the milky-whites of your breasts

while you bask

on the juicy apple-

bite you made

                                            behind his back.

 

 

Poem4:

 

HAPPINESS IS A MORNING DEW

OF

 

blended rain and lanzones scent

when dewdrops morph into butterfly kisses

        h                 v                 r                     n

                o                 e                 i                                 g

 

over pillows and purrs.

The taste of toothpaste

on tongue is as blissful as the

yellow sunshine

when stares and sighs

are served

with a cup of tea.

 

 

Poem5:

ADMONITIONS TO A SNAKE

Oh, spawn of Medusa,

who poisons the air

with your terrible hiss,

You will not lay a kiss

on my lips

nor will you lay one

on my toes or heels,

though you are emerald

like the fruits

of this mango tree

or the brooch

on my mother’s chest.

I can never desire

your eyes, like swift

poisoned arrows

turning me to stone

or your thick, lithe body

coiled in that fruit-laden branch

you’ve claimed your throne.

Now I tell you,

this is not Eden

and I am not Eve.

A long brown stick

stiff on the ground

could send you back

to the earthen soil and dirt

like the fallen angel

you once were.

Poem6:

 

HOW TO LOOK THE WAY YOU LOOK (ON NORMAL DAYS) TOMORROW

 

Get a cup

of water.

Put ten or

a hundred shards

of ice

you have

just splintered

with a knife.

Stare

how

little

by

little

beads of liquid

form around the body

of your cup,

like seeing life

spring out from nothing.

Carefully place

a spoon (could

the one he always use

when you have meals

together) inside your

cup and when

the time is right,

press

the already cold

silver steel

on your hurting

puffy eyes.

 

 

Poem7:

 

A SELF-PORTRAIT TOLD BY THE SUBCONSCIOUS

 

 

The face is where things of fascination thrive – an

immortal map of some sort, like the lips that is plump

and pink as two shrimp-meat fitting together

to hide teeth of imperfect shapes. This pair

of shrimp-meat can broaden into a smile

not like Helen’s for Troy

or Mona Lisa’s for Leo,

but that owned smile, genuine as a

possessed cruise ship —-

grand and pride worthy;

With these two laugh lines on each side of the mouth

resembling the curves of a

canoe cast on a pure warm shore; and two dimples like

miniature comets posing with their tails, and yet they still

come and go.

 

 

Poem8:

 

AFTERNOONS at the LOCAL CAFE

 

The black ant scuttling on the crown of a bitten starbread,

one end of the blue straw bent inside the mouth of a Coke bottle, beads of water

slithering on its body

slipping away like rain water on a mother’s breasts,

the closed yellow highlighter on top of an open dictionary,

the word slither marked with yellow,

a slate white paper full of scribbles, four pieces of clean unused tissue paper,

a rose petal stolen from the church altar,

plain simple people carrying their own plain simple food

unknown faces

passing with a smile

or a nod.

Poem9:

DADDY

Swish swoosh swish

letters to bottled heartbeats

Tell angels and saints

to paint their nails red

and still keep their halos and wings.

The hibiscus red lipstick

stashed under piles

of radish white KLEENEX

may turn the palest pale white lips

into a pretty O of Egypt’s Cleo

suntanned and skinny

inside a big dark room

daddy closed with a bang for good

to stop midnight worms from creeping

over some infected rose.

That’s what daddy

told

with a bang on the door

after a lot of swish

swoosh swish on the floor,

the hibiscus red lipstick

perfect on the swollen O.

Upper roller lower roller

Upper roller lower roller.

blueberries and sweet bananas

sing with The Donnas in your

low-waist pajamas,

Wait for moon

tonight, when it

is an orange

in a basket,

swallow whole

a jawbreaker

and pretend to be

a virgin mother.

Swish swoosh swish

your little girl’s fading like a reef.

Poem10:

TO STARLA: A LETTER

Starla,

Revenge is a lazy form of grief.

I heard from your cousin Nena today that you haven’t

been answering their letters

since you’ve left for Japan to

marry that wealthy businessman you met in a bar.

I know, since the day you told me

about him that you are going to

leave this place without you

turning back.

It was freedom for you.

We have two lamays

here in our place now.

First is that of Aling Gemma’s husband

who was hit by a truck after crossing

the highway drunk and happy from

a whorehouse.

Aling Gemma is still known to be

an abortionist, yet the neighbors here still

shut their mouths. She is pregnant

with her 11th child before the accident happened.

There are whispers that her latest client

was Selima, your childhood friend,

the one you ran along with the

other children in the palayan

near our shanties

and play your Loko-Loko Kabayo.

Selima left their home a year ago,

three months after you have gone away,

to live with Andoy

and came back with a bulge in her belly.

Her father, whom you dislike for prohibiting

Selima to get along with you

and for giving sermons to anyone who

happen to pass in front of their gate in the early mornings,

now has gone hiding inside their house,

too shy to even come out at night

to buy a lapad at Aling Maring’s.

He was caught peeping at his

neighbor’s banyo.

 

The second lamay is that of

your Uncle Ramon who died the other day.

The last months of his life

he suffered by coughing blood.

Your Manang Tinay took twice

of her usual laundry load

with the hope of getting more money so Dino

and Bong can still attend school.

She is now thin and her

breasts are twice more sag.

 

I know they were not good

to you. That you often pray you

can just run away and let them know you

can stand on your own.

But is there really no space inside you for the ones

you have left behind?

Don’t let any hatred change you

Starla.

Care is still the best payback.

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

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